RM2PMGCR1–Print, Designs for Friezes; Designed by Jean Le Pautre (French, 1618–1682); France; engraving on white laid paper; 22 x 31.8 cm (8 11/16 x 12 1/2 in.)
RMJ35JJ8–New York, NY, USA. 2nd May, 2017. Attorney SANFORD RUBENSTEIN escorts Nancy Rodriguez from the courthouse after Domonic Whilby is sentenced at Manhattan Supreme Court after being convicted of aggravated vehicular homicide in the death of her husband, Bus Operator William Pena, May 2, 2017 in New York. Credit: Bryan Smith/ZUMA Wire/Alamy Live News
RF2HW6F2R–Art inspired by The Country Dance (Large Plate), ca. 1637, Etching; third state of four (Mannocci), sheet: 7 13/16 x 10 1/16 in. (19.8 x 25.6 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMW1CMP–. An illustration of the ship Gouda, from 'Reise nach Batavia', an illustrated manuscript by Georg Franz Müller, describing his voyage to South Africa and Indonesia and his stay there (1669-1682) in services of the Dutch East India Company. . Georg Franz Müller (1646-1723) 513 RBSeite11
RM2A2P3AE–Claude Gellée, French, 1600-1682, The Highwaymen, 1633, etching printed in black ink on laid paper, Image: 4 7/8 × 7 5/8 inches (12.4 × 19.4 cm
RM2T845CJ–Jean Le Pautre (Ausführende r Künstler in) Mythological scenes. etching 1620-1682 , 1620/1682
RMPB1CBH–Footed beaker with cover. Culture: Hungarian, Brassó. Dimensions: Overall: 15 3/4 x 6 11/16 in. (40 x 17 cm). Maker: Johannes (Hans) Mautner (master 1670, died 1694). Date: 1682. This monumental beaker is the one of the largest known of its type. It has a hollow base and an undulating ring that marks the actual bottom of the vessel on the outside. Both of these features are characteristic of Hungarian and Transylvanian production. The inscribed coat of arms at left indicates that it belonged to a member of a princely Transylvanian family, Count Mikes, who came from one of the most ancient dyn
RM2B6XKPX–right a cartouche with the title and scale two poles: Two hours leagues; Two common Duytsche leagues from 15 in a degree. Around the arms of the province of Utrecht and putti. Degree distribution along the randen. Manufacturer : printmaker: Luggert Anse (listed building) cartographer: Bernard Roy (I) (listed building) publisher: Nicolaes Visscher (II) (listed building) publisher: States of Holland and West Friesland (listed property) Place manufacture: printmaker Amsterdam Cartographer: Utrecht Publisher: Amsterdam Date: 1679 - in or before 1682 and / or in or after 1682 - 1702 Physical featur
RM2PMJYP6–Print, Design for an Altar Tabernacle; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 22.6 × 15.5 cm (8 7/8 × 6 1/8 in.)
RF2HTXJTG–Art inspired by The Flight into Egypt, ca. 1630–31, Etching; first state of four (Mannocci), sheet: 4 1/8 x 6 3/4 in. (10.5 x 17.2 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMWP2CM–. An illustration of the ship Gouda, from 'Reise nach Batavia', an illustrated manuscript by Georg Franz Müller, describing his voyage to South Africa and Indonesia and his stay there (1669-1682) in services of the Dutch East India Company. . Georg Franz Müller (1646-1723) 513 RBSeite11
RM2A2J6F1–Korean Embassy Parade, 1682, Attributed to Hishikawa Moronobu, Japanese, (?)-1694, Japan, Hand-colored woodblock prints, makimono-e, 24.2 x 75 cm (9 1/2 x 29 1/2 in
RM2T84643–Jean Le Pautre (Ausführende r Künstler in) Ceiling decoration. etching 1625-1682 , 1625/1682
RMPB1M8F–The Foolish Virgins Conversing. Artist: After Abraham Bosse (French, Tours 1602/1604-1676 Paris); Abraham Aubry (French, died 1682). Dimensions: Sheet: 11 3/16 x 13 3/4 in. (28.4 x 35 cm) Plate: 10 3/4 in. × 13 in. (27.3 × 33 cm). Series/Portfolio: The Wise Virgins and The Foolish Virgins (Les Vierges sages et les Vierges folles). Date: mid to late 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2B71KFW–Landschap met twee kinderen, spelend met een geit, een lammetje en een schaap Landscape with two children playing with a goat, a lamb and a sheep object type: Drawing Object number: RP-T 1905-145 Manufacturer : artist: Simon van der Does Dating: 1682 Physical features: brush and gray ink over traces of black chalk, brush and brown ink and light body color; border lines in black ink material: paper chalk ink technology: pen / brush dimensions: H 172 mm × W 154 mm
RM2PMDRN7–Print, Frieze, from 'Chasses et Feuillages'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 7.9 × 23 cm (3 1/8 × 9 1/16 in.)
RMP6DWB6–Boca Raton, Florida, USA. 29th June, 2018. PETA activists gather outside Boca Raton Resort in protest of animal abuse on June 29, 2018. Protesters claim that researcher Tania Roth, who spoke at Boca Raton resort Friday evening experiments in lab rats and abuses them. Credit: Orit Ben-Ezzer/ZUMA Wire/Alamy Live News
RF2HTXK01–Art inspired by Landscape with Mercury, 1668, Etching, sheet: 7 7/8 x 9 7/8 in. (20 x 25.1 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Dominique Barrière (French, Marseille 1610–1678, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNX4HX–. Nederlands: Scheepsbouwer J.M. Osterlingh toont de door hem in Edam gebouwde schepen aan zijn dochter en schoonzoon Tjerk Lolckes . 1682. Jan Moolenaar 1099 Schepen gebouwd door JM Osterlingh in Edam door Jan Moolenaar
RM2A2PRRA–Jan Jacobsz. van der Stoffe, Dutch, c. 1611-1682, Military Camp, 1642, Oil on oak panel, 14 3/4 x 19 3/4 in. (37.5 x 50.17 cm
RM2T845JM–Jean Le Pautre (Ausführende r Künstler in) Doors and portals. etching 1625-1682 , 1625/1682
RMPAP0KR–Actress Charlotte Desmares playing the role of a pilgrim, shown from behind with her head turned toward the right, she holds a walking stick, scallop shells adorn her cape. Artist: After Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne); Louis Desplaces (French, Paris 1682-1739 Paris). Dimensions: sheet: 5 1/2 x 3 1/16 in. (13.9 x 7.7 cm). Date: ca. 1710-39. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6XM0C–right a cartridge with the title and two poles scale: Two-hour's walk; Two common Duytsche leagues from 15 in a degree. Around the arms of the province of Utrecht and putti. Degree distribution along the randen. Manufacturer : printmaker: Luggert Anse (listed building) cartographer: Bernard Roy (I) (listed building) publisher: Nicolaes Visscher (II) (listed building) publisher: States of Holland and West Friesland (listed property) Place manufacture: printmaker Amsterdam Cartographer: Utrecht Publisher: Amsterdam Date: 1679 - in or before 1682 and / or in or after 1682 - 1702 Physical features
RM2PMF2M8–Print, Ceiling, from 'Plafonds Modernes'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 12.9 × 18.8 cm (5 1/16 × 7 3/8 in.)
RF2HTXJYX–Art inspired by Landscape with Mercury, 1668, Etching, sheet: 7 7/8 x 10 3/16 in. (20 x 25.8 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Dominique Barrière (French, Marseille 1610–1678, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMW969P–. English: Jacopo Bartolomeo Beccari (25 July 1682 - 18 January 1766 ), an Italian chemist, one of the leading scientists in Bologna in the first half of the eighteenth century. He is mainly known as the discoverer of the gluten in wheat flour. before 1767. University of Bologna 73 Bartolomeo Beccari
RM2A2JM69–The Beggar Boy (The Young Pilgrim), 1738/39, Giovanni Battista Piazzetta, Italian, 1682-1754, Italy, Oil on canvas, 26 5/8 × 21 1/2 in. (67.7 × 54.7 cm
RM2T8463K–Jean Le Pautre (Ausführende r Künstler in) Vasen (Ornamentstich). etching 1625-1682 , 1625/1682
RMPAAY9K–Landscape with a Village in the Distance. Artist: Jacob van Ruisdael (Dutch, Haarlem 1628/29-1682 Amsterdam). Dimensions: 30 x 43 in. (76.2 x 109.2 cm). Date: 1646. This ambitious picture is one of nine known landscape paintings that bear the earliest date found on works by Van Ruisdael, 1646. At the time the artist was about eighteen years old. Youthful exuberance and some losses of paint and glazes combine to make the topography in the foreground somewhat unclear. However, the naturalistic description of foliage and the dramatic presentation of trees forecast the future of Holland's greates
RM2B6YDC0–Keizerlijke bibliotheek en rariteitenkabinet De Keijserlijke Bibliotheek en Rariteijt Kamer (titel op object) Imperial Library and rariteitenkabinetDe Keijser Administration Library and Rariteijt Room (title object) Object type: picture book illustration Item number: RP-P-1896-A-19368-286Catalogusreferentie: Van Eeghen 417-1 (3) Markings / Brands : collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan Luyken (listed building) in its design: Jan Luyken (listed building) publisher: Jan Claesz ten Hoor Place manufacture: Amsterdam Date: 1682 Physical features: etching material
RM2PMHC6H–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.5 × 21.6 cm (13 3/16 × 8 1/2 in.)
RF2HW7BK5–Art inspired by Harbor with large tower at left, and figures in the foreground, ca. 1635–40, Etching, sheet: 5 3/16 x 7 11/16 in. (13.2 x 19.6 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMYB22C–. English: Jacopo Bartolomeo Beccari (25 July 1682 - 18 January 1766 ), an Italian chemist, one of the leading scientists in Bologna in the first half of the eighteenth century. He is mainly known as the discoverer of the gluten in wheat flour. before 1767. University of Bologna 64 Bartolomeo Beccari
RM2A2P3AR–Claude Gellée, French, 1600-1682, Campo Vicino, Rome, 1636, etching printed in black ink on wove paper, Image: 7 1/8 × 10 inches (18.1 × 25.4 cm
RM2T845R6–Jean Le Pautre (Ausführende r Künstler in) Ceiling decoration. etching 1625-1682 , 1625/1682
RMPAJKYC–Wheat Fields. Artist: Jacob van Ruisdael (Dutch, Haarlem 1628/29-1682 Amsterdam). Dimensions: 39 3/8 x 51 1/4 in. (100 x 130.2 cm). Date: ca. 1670. This large canvas of about 1670 is Ruisdael's most ambitious view of grain fields, a subject he treated frequently. The monumental design, with its centralized recession into space, might have been intended for a particular location, perhaps above a mantelpiece. During the seventeenth century, paintings of this size were usually hung high. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6W5WE–Hyrcanus plundert het graf van David Hyrcanus plunder the tomb of David Property type: picture Item number: RP-P-1921-432Catalogusreferentie: Van Eeghen 440Collectie Rijksmuseum 1 (2) Note 2 states in the collection of the Rijksmuseum Labeling / Brand: collector's mark, verso, stamped: Lugt 2233 Manufacturer : printmaker Jan Luyken manufacture Place: Amsterdam Date: 1682 Physical features: etching; proofing material: paper Technique: etching dimensions: sheet: 143 mm × H b 86 mmToelichtingLatere state of this print listed in: Cunaeus, Peter. The republyk of the Hebrews, or common to most of th
RM2PMHJ1K–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.9 × 22.1 cm (13 3/8 × 8 11/16 in.)
RM2F7EB2J–Alto Tio Diego, Veracruz, México. 6th Apr, 2021. Inhabitants of the Afro-descendant town of Alto Tio Diego, celebrate the traditional carnival, where a group of masked men dance through the streets to celebrate. This year the carnival was reduced in days to avoid the spread of COVID-19, although this town is one of the few that does not have contagions and that is why they celebrated Credit: Hector Adolfo Quintanar Perez/ZUMA Wire/Alamy Live News
RF2HTXJY2–Art inspired by The Flight into Egypt, ca. 1630–31, Etching; fourth state of four (Mannocci), sheet: 4 3/16 x 6 7/8 in. (10.7 x 17.4 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMN14E–. English: Jacopo Bartolomeo Beccari (25 July 1682 - 18 January 1766 ), an Italian chemist, one of the leading scientists in Bologna in the first half of the eighteenth century. He is mainly known as the discoverer of the gluten in wheat flour. . before 1767. University of Bologna 73 Bartolomeo Beccari
RM2A2K3C6–Landscape after Wang Meng, Qing dynasty (1644–1911), 1680, Qi Zhijia (祁豸佳), Chinese, 1594, after 1682, China, Hanging scroll, ink and light color on paper, 48 × 21 1/2 in
RM2T84632–Jean Le Pautre (Ausführende r Künstler in) Vasen (Ornamentstich). etching 1625-1682 , 1625/1682
RMPAXP1X–Saint Andrew kneeling in prayer as he is led to the cross, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Carlo Cesi (Italian, Antrodoco ca. 1622-1682 Rieti). Dimensions: Sheet (Trimmed): 11 7/8 × 17 1/4 in. (30.1 × 43.8 cm). Publisher: Arnold van Westerhout (Flemish, Antwerp 1651-1725 Rome). Date: 1650-80. After a fresco by Reni in the church of San Gregorio Magno in Rome. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6FF80–Bridge Trajan on the Danube bridge of the Keijser Trajan about the Donauw (title object) Bridge of Emperor Trajan over the Danube bridge from the Keijser Trajan about the Donauw (title object) Object type: picture book illustration Item number: RP-P-1896-A-19368-278Catalogusreferentie: Van Eeghen 410 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan Luyken (listed building) in its design: Jan Luyken (listed building) publisher: Jan Claesz ten Hoor Place manufacture: Amsterdam Date: 1682 Physical features: etching material: paper Technique: etching
RM2PMGC0A–Print, Two Designs for French Alcove; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 13.8 × 20.8 cm (5 7/16 × 8 3/16 in.)
RF2HW5Y0E–Art inspired by The Herd Returning in Stormy Weather, 1651, Etching; second state of two (Mannocci), sheet: 6 7/8 x 9 3/16 in. (17.5 x 23.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMX70P7–. English: Jacopo Bartolomeo Beccari (25 July 1682 - 18 January 1766 ), an Italian chemist, one of the leading scientists in Bologna in the first half of the eighteenth century. He is mainly known as the discoverer of the gluten in wheat flour. before 1767. University of Bologna 73 Bartolomeo Beccari
RM2B0GJ5M–Jacob van Ruisdael, Dutch, 1628/1629–1682, Landscape with Bridge, Cattle, and Figures, c. 1660, Oil on canvas, 37 5/8 x 51 1/16 in. (95.6 x 129.7 cm
RM2T84641–Jean Le Pautre (Ausführende r Künstler in) Vasen (Ornamentstich). etching 1625-1682 , 1625/1682
RMPB3RHG–Flora and Zephyr. Artist: Jacopo Amigoni (Italian, Venice 1682-1752 Madrid). Dimensions: 84 x 58 in. (213.4 x 147.3 cm). Date: 1730s. The Venetians Sebastiano Ricci, Giovanni Pellegrini, Giovanni Battista Tiepolo, and Amigoni all worked throughout Europe, achieving international reputations. A number of Amigoni's best pictures were painted for clients in England, where he worked between 1729 and 1739. This picture, which celebrates the coming of spring in the union of Zephyr with Flora, is one of a pair dating to his English period. The pendant, now in a private collection, shows Venus and Ad
RM2B6G9JJ–Chinese people and their weighing and measuring use and Chineesen haer Weegin (title object) Chineese and Vremden Nasie (series title) Three Chinese people together, where: the left scales operate and the middle a ruler in hand houdt. Manufacturer : printmaker Pieter Schenk (I) (possible) to print of: Romeyn the Hooghe (studio), publisher: Pieter Schenk (I) Place manufacture: Amsterdam Date: 1682 - 1711 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 105 mm × b 71 mmToelichtingDeze series is made up of copies of the prints in : Vries, Simon de. Cu
RM2PMDFRG–Print, Friezes: Trophies of Arms And Putti; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 9.3 × 29.8 cm (3 11/16 × 11 3/4 in.)
RF2HTY00N–Art inspired by Flora and Zephyr, 1730s, Oil on canvas, 84 x 58 in. (213.4 x 147.3 cm), Paintings, Jacopo Amigoni (Italian, Venice 1682–1752 Madrid), The Venetians Sebastiano Ricci, Giovanni Pellegrini, Giovanni Battista Tiepolo, and Amigoni all worked throughout Europe, achieving, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP4M25–. English: Wilhelm VIII, landgrave of Hessen-Kassel (1682-1760), painted for the Gouvernors Palace in Maastricht by Johann Valentin Tischbein, ca 1750. Museum collection of Schloss Fasanerie, Fulda, Germany. . 18th century. 1259 Wilhelm VIII, prince of Hessen-Kassel, painted by Johann Valentin Tischbein, ca 1750
RM2DCEFKJ–Francesco Cozza, (artist), Italian, 1605 - 1682, Virgin and Angels Watching Over the Sleeping Infant Jesus, etching in black, sheet: 30.3 x 21.7 cm (11 15/16 x 8 9/16 in
RM2T84640–Jean Le Pautre (Ausführende r Künstler in) Ceiling decoration. etching 1625-1682 , 1625/1682
RMRFD64M–Two Designs for Friezes with Medallions, from: Frises, feuillages ou tritons marins antiques et modernes. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.4 cm) plate: 5 9/16 x 8 11/16 in. (14.2 x 22 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Date: ca. 1640-82. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6PDDD–Gezicht op Wismar Wiismaria (titel op object) Gezicht op WismarWiismaria (titel op object) Object Type : prent boekillustratie Objectnummer: RP-P-OB-44.173Catalogusreferentie: Van Eeghen 533-2(2) Inscriptions / Merken: collector's mark , verso, gestempeld: Lugt 2228 Manufacturer : prentmaker: Jan Luykenprentmaker: Frans Hogenbergprentmaker: Symon Novelanusuitgever: Johannes Janssonius van Waesberge (II)Plaats manufacture: Amsterdam Dating: 1598 en/of 1682 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: plaatrand: h 261 mm × b 500 mmToelichtingKaart opgenomen in: Janssoniu
RM2PMHACP–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.5 × 21.5 cm (13 3/16 × 8 7/16 in.)
RF2HKRTK6–Art inspired by Views of Amsterdam. Plate 3. De Meulen by de Blaeu brugh., Abraham Blooteling, etcher, 1663-1690, etching, Jacob Isaacksz van Ruisdael (c. 1628/9-1682) was a Dutch painter, draughtsman and etcher. He is generally considered the pre-eminent landscape painter of the Dutch, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMWY7X8–. Nederlands: Sluiting van de Zuiderzee. oil on canvas. 71.5 × 131.5 cm (28.1 × 51.7 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1682) of/in bruikleen van Enkhuizen, Zuiderzeemuseum (1413) . 1932. Johan Hendrik Mastenbroek 565 Sluiting van de Zuiderzee
RM2DC89R6–Jacob van Ruisdael, (artist), Dutch, c. 1628/1629 - 1682, Forest Scene, c. 1655, oil on canvas, overall: 105.5 x 123.4 cm (41 9/16 x 48 9/16 in
RM2T849HK–Jean Audran (Engraver) Christ in the olive grove. Copper engraving, etching 1682-1756 , 1682/1756
RMRFD2JR–Two Designs for Friezes with Acanthus Scrolls from: Frises, Feuillages ou Tritons Marins à la romaine. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 6 7/16 x 9 1/4 in. (16.3 x 23.5 cm) plate: 5 13/16 x 8 11/16 in. (14.8 x 22 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Date: ca. 1640-82. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6RCTD–Gezicht op het Piazza Castello in Turijn Prospectus plateae veteris ante castrum (titel op object) View of the Piazza Castello in Turin. In the foreground, the square packed with people and carriages. In the background a procession which passes under an arch towards a square behind it. Airborne putti carrying a heraldic weapon. In addition, a band bearing the titel. Manufacturer : print maker: Romeyn the Hooghe (indicated on object), at its design: Romeyn the Hooghe Place manufacture: The Netherlands Date: 1681 - 1682 Physical characteristics: etching material: paper Technique: etching dimensi
RM2PMHGM6–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.6 × 21.4 cm (13 1/4 × 8 7/16 in.)
RMWPJKNM–Delmar, California, USA. 9th Sep, 2019. Everyone has a good time when the dogs hit the beach in Delmar. The Surf Dog Surf-A-Thon fundraiser in Del Mar helps Helen Woodward Animal Center raise funds for the orphan pets. The Surf Dog Surf-A-Thon takes place every September, at Del Mar's Dog Beach, located in San Diego County, California. Seen here: Geselle rides a wave. Credit: Daren Fentiman/ZUMA Wire/Alamy Live News
RF2HKRTF2–Art inspired by Views of Amsterdam. Plate 6. De Heer Huydecoopers Huis van achteren (The house of Mr Huydecoopers near Amsterdam), Abraham Blooteling, etcher, 1663-1690, etching, Jacob Isaacksz van Ruisdael (c. 1628/9-1682) was a Dutch painter, draughtsman and etcher. He is generally, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMY4HBM–. Nederlands: Sluiting van de Zuiderzee. oil on canvas. 71.5 × 131.5 cm (28.1 × 51.7 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1682) of/in bruikleen van Enkhuizen, Zuiderzeemuseum (1413) . 1932. Johan Hendrik Mastenbroek 493 Sluiting van de Zuiderzee
RM2DCFY3A–Jean Lepautre, (artist), French, 1618 - 1682, A Trophy of Arms, pen and black ink with gray wash on laid paper, overall: 16 x 11.8 cm (6 5/16 x 4 5/8 in
RM2T845T9–Jean Le Pautre (Ausführende r Künstler in) Fries with foliage ornament. etching 1625-1682 , 1625/1682
RMPA97K7–Virgin and Child. Artist: Bartolomé Estebán Murillo (Spanish, Seville 1617-1682 Seville). Dimensions: 65 1/4 x 43 in. (165.7 x 109.2 cm). Date: ca. 1670-72. Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. This painting of the Madonna and Child formed part of the collection of the Marqués de Santiago, who owned a number of outstanding works by the artist. The popularity of Murillo's paintings of the Madonna and Child derives from his ability to endow a timeworn theme with a quality of intimacy and sweetness. The infant's attention has, in this pict
RM2B715DM–Map of Kanaän't Promised Lands Canaan with Reijsen Israel by Woestijne (title object) Object type: picture book illustration Item number: RP-P-1896-A-19368-309Catalogusreferentie: Van Eeghen 439 Inscriptions / Brands : collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan Luyken Publisher: Willem Goeree Place manufacture: Amsterdam Date: 1682 Physical features: etching material: paper Technique: etching dimensions: sheet: h 136 mm × W 213 mmToelichtingIllustratie included in: Cunaeus, Peter. The republyk of the Hebrews, or common to most of the Jews, 3 parts. Amsterdam: Wil
RM2PMHEA1–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.7 × 21.7 cm (13 1/4 × 8 9/16 in.)
RMT8HPCN–May 13, 2019 - Kyiv, Ukraine - Emigrant activists of the Association of Indigenous Peoples of Russia wearing hazmat suits picket the German Embassy with the demand to audit Russian oil companies that had exported crude oil to EU countries and, activists believe, it had led to an environmental catastrophe in Tatarstan, in Kyiv, Ukraine, May 13, 2019. Russia’s Investigative Committee identified six suspects in the contamination of millions of barrels of crude, which shut down pipeline shipments to some European countries. In March and April this year, some of the suspects allegedly supplied oi
RF2HW7BNR–Art inspired by Shepherd and shepherdess conversing in a landscape, with a bridge in the background, ca0–55, Etching, plate: 8 1/4 x 10 3/8 in. (21 x 26.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMW31F0–. Nederlands: Sluiting van de Zuiderzee. oil on canvas. 71.5 × 131.5 cm (28.1 × 51.7 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1682) of/in bruikleen van Enkhuizen, Zuiderzeemuseum (1413) . 1932. Johan Hendrik Mastenbroek 564 Sluiting van de Zuiderzee
RMW51AM0–The Immaculate Conception, Bartolomé Esteban Murillo (Spanish, 1617 - 1682), Spain, about 1675 - 1680, Pen and brown ink over black chalk, 19.7 x 13.2 cm (7 3/4 x 5 3/16 in
RM2T845FT–Jean Le Pautre (Ausführende r Künstler in) Portrait Henry Chesneau. etching 1625-1682 , 1625/1682
RMPAX5F2–Château de Versailles seen from the forecourt, from Chalcographie du Louvre, Vol. 22. Artist: Israel Silvestre (French, Nancy 1621-1691 Paris). Dimensions: Plate: 14 15/16 x 19 13/16 in. (38 x 50.4 cm) Sheet: 19 5/16 x 26 3/8 in. (49 x 67 cm). Date: 1682. This engraving, showing the facade of the palace with its marble court and forecourt, dates to 1682, the year Louis XIV officially moved his court from Paris to Versailles. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6T110–H Ignatius van Loyola St. Ignatius of Loyola right in an oval, within a cartouche decorated with garlands. Top two cherubs' heads and wings. At the top monogram IHS in a cloud and stralenkrans. Manufacturer : printmaker: James Harrewijn (listed building) printmaker François Harrewijn (rejected attribution) Place manufacture: Netherlands Date: 1682 - 1727 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Measurements: plate edge: h × 129 mm b 85 mm Subject: personal devotion of St. Ignatius of Loyola Ornament festoon, garland
RM2PMHJPT–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.6 × 21.8 cm (13 1/4 × 8 9/16 in.)
RM2T317H8–Chennai, Tamil Nadu, India. 22nd Oct, 2023. The Golu festival of Navaratri celebrates the victory of good over evil, for nine auspicious nights, symbolizing the efforts of MahaDevi and celestial beings to vanquish Mahishasura.Navaratri is an annual and one of the most revered Hindu festivals observed in the honour of Mother Goddess Durga. It spans over nine nights, first in the month of Chaitra and again in the month of Sharada. Goddess Durga is worshipped during those nine days in her different incarnations. Navarathri Golu is the festive display of dolls and figurines in South India duri
RF2HW6XGT–Art inspired by Portrait of Jean Alphonse Turrettini, 18th century, Engraving, plate: 9 13/16 x 7 5/8 in. (24.9 x 19.3 cm), Prints, Jean Michel Liotard (Swiss, Geneva 1702–1796 Geneva), After Robert Gardelle (Swiss, Geneva, 1682–1766, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNX7HP–. English: Duarte de Bragança, Lord of Vila do Conde (1605-1649), younger son of Teodósio II, Duke of Braganza, and brother of King John IV of Portugal. 1643. PICARD, Jean; 1620-1682 1111 Serenissimi D. Edvardi Infantis Portugalliae in meritis in carcere in vicvlis in venditione effigies
RM2DCCF7K–Jean Lepautre, (artist), French, 1618 - 1682, The Abduction of Helen of Troy, pen and black ink with brown wash on gray laid paper, overall: 33.7 x 45.7 cm (13 1/4 x 18 in
RM2T845T5–Jean Le Pautre (Ausführende r Künstler in) Fries with foliage ornament. etching 1625-1682 , 1625/1682
RMPB3RAX–Bust of a Man (Saint Matthias?). Artist: Giovanni Battista Piazzetta (Italian, Venice 1682-1754 Venice). Dimensions: 17 1/2 × 14 3/4 in. (44.5 × 37.5 cm). Date: ca. 1715-20. This bust-length depiction of a bearded man with an axe may be identified as Matthias, the last of the apostles, chosen to take the place of Judas after his betrayal of Christ. Piazzetta, one of the defining figures of eighteenth-century Italian art, made several series of apostles, drawn and painted, to which this painting may have belonged. These had considerable influence through engravings by Marco Pitteri, which the
RM2B6MFXP–Figuur in harnas met kroon en scepter Ferdinand IV van Oostenrijk Ferdinand IV of Austria, Emperor of the Holy Roman rich in armor and with crown and scepter, and his left foot on a crocodile. In the background, an eagle with a lightning bolt and putti beneath a curtain. Above his portrait a crown of thorns and the ideogram of an equilateral triangle symbolizing the Holy Drieëenheid. Manufacturer : printmaker: James Harrewijn (listed property) designed by Caspar Jacob van Opstal (II) (listed building) Place manufacture: Netherlands Dating 1682 - 1730 Physical features: etching and engra materi
RM2PMH3XG–Print, Design for Door, from 'Placarts Ou Ornemens'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 20.7 × 14 cm (8 1/8 × 5 1/2 in.)
RMRBTNWB–January 11, 2019 - Gaza city, Gaza Strip, 11 January 2019. Palestinian demonstrating for the weekly Great March of Return rally clash with Israeli Forces on the east of Gaza City, in the Gaza strip. A Palestinian woman Amal Tramsi, 43, has been killed and 25 others, including a journalist, have been injured by Israeli live fire and tear gas during this Friday's demonstration, as large Palestinian crowds gathered alongside the eastern borders of the Gaza Strip to take part in the weekly march. Several Palestinian medics were busy evacuating and treating wounded demonstrators during the prote
RF2HW5NA4–Art inspired by A Forest Marsh with Travelers on a Bank (The Travelers), 17th century, Etching, first state of four, image: 7 1/4 x 10 11/16 in. (18.4 x 27.1 cm), Prints, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNT71R–. Physician seeing to the sick in a hospital. Copperplate engraving from: J. Ch. Thiemen, Haus-, Feld-, Koch-, Kunst-, etc Buch (Nürnberg 1682). - Der Kranke soll Gott vertrauen, auf seine Hülffe bauen, so wird er Wunder schauen 984 Physician in hospital sickroom printed 1682
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