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Page 17 of 105
15 x 22 Stock Photos and Images
RF2HW4KY0–Art inspired by Boutique Journaux, Rue de Sèvres, Paris, 1910–11, Matte albumen silver print from glass negative, Image: 22.7 x 18 cm (8 15/16 x 7 1/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), By the end of his life, Atget had made more than eight thousand, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC8GE2–Comparative Anatomy, 1800–1825, Etching, sheet: 8 15/16 x 7 in. (22.7 x 17.8 cm), Prints, Thomas Rowlandson (British, London
RMRFCYJE–Design for a Tabernacle with Two Variants, from: Tabernacles à l'italienne. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 6 1/4 x 9 1/8 in. (15.9 x 23.1 cm) plate: 6 1/8 x 8 3/4 in. (15.6 x 22.2 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1644-66. Museum: Metropolitan Museum of Art, New York, USA.
RF2HTTR17–Art inspired by Three Celestial Attendants, Kizil Kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 8 3/4 x 15 3/4 in. (22.2 x 40 cm), Paintings, The two female figures at left wear beaded textile headdresses typical of the female, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC927C–Head of Gregory, 1924, Lithograph, image: 9 15/16 x 9 in. (25.2 x 22.9 cm), Prints, George Bellows (American, Columbus, Ohio
RMPAXY8M–Manuscript Leaf with the Holy Trinity in an Initial T, from a Missal. Culture: South German. Dimensions: Overall: 13 1/16 x 8 7/8 in. (33.1 x 22.6 cm) Illumination: 3 3/4 x 3 7/16 in. (9.5 x 8.8 cm) Study mat size: 17 15/16 x 14 in. (45.6 x 35.5 cm). Date: ca. 1390. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW845B–Art inspired by Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 13/16 x 11 15/16 in. (22.4 x 30.4 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon (French, Boissy 1636–1675 Paris), Print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC6KXC–Ruins at Old Delhi, 1850s, Albumen silver print, Image: 15.4 x 22.3 cm (6 1/16 x 8 3/4 in.), Photographs, Unknown
RMPAX71N–Belisarius. Artist: Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779-1857 Paris); After baron François Gérard (French, Rome 1770-1837 Paris). Dimensions: image: 19 5/16 x 14 7/8 in. (49 x 37.8 cm) plate: 21 5/8 x 15 3/4 in. (55 x 40 cm) sheet: 22 1/16 x 16 15/16 in. (56 x 43 cm). Date: 1806. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW6RJ7–Art inspired by “The Sixth Knot”. Interlaced Roundel with Seven Wreaths, 1521 before, Woodcut, sheet: 10 15/16 x 8 11/16 in. (27.8 x 22.1 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise) (or workshop), Embroidery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCC203–Portrait of Walter Dowsdeswell, Esq., 1890, Drypoint; second state of two, Image: 8 7/8 x 5 7/8 in. (22.6 x 15 cm), Prints
RMPAXP0Y–Pugahm Myo: Distant View of Gauda-palen Pagoda. Artist: Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822-1902 Devonport). Dimensions: Image: 25.3 x 34.1 cm (9 15/16 x 13 7/16 in.) Mount: 45.6 x 58.3 cm (17 15/16 x 22 15/16 in.) Mat: 20 × 24 in. (50.8 × 61 cm). Date: August 20-24, 1855. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW4RGY–Art inspired by Sutar ka Jhopda Cave Interior, Ellora Caves, 1890–1900, Platinum print, Image: 27.8 x 22.8 cm (10 15/16 x 9 in.), Photographs, Alfred William Plâté (German (active Sri Lanka), ca. 1859 –1931 Linz), This beautifully printed and perfectly preserved print shows the most, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPPYK23–Dutch Interior; Guido Rey, Italian, 1861 - 1935, about 1895; Platinum print; 22.1 x 15.6 cm, 8 11,16 x 6 1,8 in
RMPA9C69–Marriage of the Virgin. Artist: Engraved by Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505-1565 Krakow (?)); Designed by Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: sheet: 17 15/16 x 9 1/8 in. (45.6 x 23.2 cm) mount: 22 x 16 in. (55.9 x 40.6 cm). Date: ca. 1525-26. In Mariette Album, leaf 50. Museum: Metropolitan Museum of Art, New York, USA.
RF2HTXTGX–Art inspired by Cœnotaphiorum (2), 1563, Etching; first state of four, sheet: 9 x 5 7/8 in. (22.8 x 15 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCA87H–The Holy Family with Two Angels, etching, plate: 8 11/16 x 5 7/8 in. (22 x 15 cm), Prints, Guido Reni (Italian, Bologna 1575
RMPAPJ46–Parti in grande restaurati de' Trofei de Ottaviano Augusto (Restored detail of the Trophy of Octavian Augusto). Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris). Dimensions: Sheet: 22 9/16 x 17 1/2 in. (57.3 x 44.5 cm) Plate: 20 9/16 x 15 3/16 in. (52.2 x 38.5 cm). Series/Portfolio: Trofei di Ottaviano Augusto (Trophies of Octavian Augustus). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA.
RF2HKK534–Art inspired by After a Shower -- Nahant, Massachusetts, William Stanley Haseltine, American, 1835-1900, Oil on canvas, ca. 1864, 14 7/8 x 22 15/16 in., 37.8 x 58.3 cm, 19th Century, American Landscape Painting, Atlantic Ocean, boulders, ca. 1864, clouds, coastline, countryside, cumulus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC6P4E–Antefix, head of Medusa, Archaic, 6th century B.C., West Greek, Terracotta, Overall: 7 1/8 x 8 15/16in. (18.1 x 22.7cm
RMPA8347–The Dog Barber. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: plate: 5 15/16 x 4 1/8 in. (15.1 x 10.5 cm) sheet: 8 13/16 x 5 7/16 in. (22.4 x 13.8 cm). Published in: London. Publisher: Matthew Darly (British, ca. 1720-80 London); Mary Darly (British, 1760-1781). Date: April 25, 1771. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW4K3P–Art inspired by Gardner's Photographic Sketchbook of the War, Volume 1, 1863, Albumen silver prints from glass negatives, 17.8 x 22.7 cm (7 x 8 15/16 in.), Albums, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), James Gardner (American, born 1832), John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC7TMF–Plaque, ca. 1885–86, Made in Baltimore, Maryland, United States, American, Parian porcelain, 9 x 6 in. (22.9 x 15.2 cm), Ceramic
RMRFD64M–Two Designs for Friezes with Medallions, from: Frises, feuillages ou tritons marins antiques et modernes. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.4 cm) plate: 5 9/16 x 8 11/16 in. (14.2 x 22 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Date: ca. 1640-82. Museum: Metropolitan Museum of Art, New York, USA.
RF2HTXTKK–Art inspired by Cœnotaphiorum (14), 1563, Etching; first state of four, sheet: 6 9/16 x 8 15/16 in. (16.7 x 22.7 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCA7G5–Girl with a Cat, 1545, Etching with engraving, plate 8-3/4 x 5-7/8 in. (22.2 x 15 cm), Prints, Jan Cornelisz Vermeyen
RMPAKRD8–Union Square, New York. Artist: John Bachmann (American (born Germany or Switzerland), active New York 1849-85). Dimensions: image: 18 11/16 x 27 15/16 in. (47.5 x 71 cm) sheet: 22 3/4 x 30 7/8 in. (57.8 x 78.4 cm). Lithographer: Sarony & Major (New York, NY). Publisher: Williams & Stevens (New York, NY). Date: 1849. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW9FHY–Art inspired by Compote, 1830–50, Probably made in Sandwich, Massachusetts, United States, American, Lacy pressed glass, 6 1/16 x 10 5/8 x 8 15/16 in. (15.4 x 27 x 22.7 cm), Glass, Possibly Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC6JW8–The Port of Rouen, 1885, Etching, aquatint, and drypoint on laid paper; second state of two, sheet: 8 15/16 x 10 15/16 in. (22.7
RMPAM6DA–Peasants Fighting over a Game of Cards. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Lucas Vorsterman I (Flemish, Zaltbommel 1595-1675 Antwerp); Possibly after Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: Plate: 16 15/16 x 20 1/2 in. (43 x 52 cm) Sheet: 18 1/2 x 22 15/16 in. (47 x 58.3 cm). Publisher: Lucas Vorsterman I (Flemish, Zaltbommel 1595-1675 Antwerp). Museum: Metropolitan Museum of Art, New York, USA.
RF2HW5G71–Art inspired by A panel of ornament with a woman holding a vase in centre, 1532, Engraving, 22.5 x 15.3 cm (including text), 20 x 15.5 cm (image only), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCB52J–Symplegades, 17th century, Engraving, sheet: 12 3/16 x 8 15/16 in. (31 x 22.7 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht
RMPAN0YM–Christ and the Pharisees; verso; Christ and a Pharisee. Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: 6 x 8 7/16 in. (15.2 x 21.5 cm). Date: early 17th century. Although best known as a portraitist, van Dyck executed many religious works during his formative period in his native city of Antwerp. Like other Flemish artists of his generation, his graphic manner was influenced by Rubens. In this study of the New Testament subject Christ and the Pharisees (Matthew 22:15-22), van Dyck arranged the primary figures in a relieflike composition using highly abbreviated pen
RF2HW43EW–Art inspired by Limestone statuette of a temple boy, Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 12 3/4 x 8 3/4 x 6 1/8 in. (32.4 x 22.2 x 15.6 cm), Stone Sculpture, Figure with chain of pendants over left shoulder, holding a dove, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC6DDT–Mending the Tears, 1888, Etching, plate: 17 3/8 x 22 15/16 in. (44.1 x 58.3 cm), Prints, Winslow Homer (American, Boston
RMPB9TJC–The Arch of Titus Speculum Romanae Magnificentiae). Artist: Anonymous. Dimensions: sheet: 17 15/16 x 13 1/4 in. (45.5 x 33.7 cm) mount: 22 1/16 x 16 7/8 in. (56 x 42.8 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1540-1560. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked tog
RF2HW20HH–Art inspired by Coffee Urn, 1845, Made in Baltimore, Maryland, United States, American, Silver, Overall: 15 3/8 x 8 5/8 x 8 13/16 in. (39.1 x 21.9 x 22.4 cm); 91 oz. 7 dwt. (2841.9 g), Silver, Andrew Ellicott Warner (1786–1870, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCA8BA–Personification of Faith, Engraving; second state of three (BN), sheet: 11 15/16 x 8 11/16 in. (30.4 x 22.1 cm), Prints, Claude
RMPB3JRH–Speculum Romanae Magnificentiae: St. Peter's. Artist: Anonymous. Dimensions: sheet: 17 7/8 x 22 1/16 in. (45.4 x 56 cm) plate: 15 1/2 x 20 7/8 in. (39.4 x 53 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked toget
RF2HW4M3P–Art inspired by Angle d'Une Cour Intérieure de la Grande Pagode, 1866, Albumen silver print from glass negative, 22.7 x 17.7cm (8 15/16 x 6 15/16in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam), The conquest of Saigon in 1859 by Admiral Rigault de, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC8JD8–Banquet of Scipio, 1543, etching, 15 15/16 x 22 13/16 in. (40.5 x 58 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537
RMPB4NYT–Speculum Romanae Magnificentiae: Temple of Janus. Artist: Anonymous. Dimensions: sheet: 22 1/8 x 16 3/4 in. (56.2 x 42.6 cm) plate: 17 11/16 x 13 7/8 in. (45 x 35.2 cm). Publisher: Tommaso Barlacchi (active Rome, 1541-50). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1550. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 15
RF2HW4321–Art inspired by Limestone figure of a draped man, Cypro-Archaic II, late 6th century B.C., Cypriot, Limestone, Overall: 15 1/2 x 9 x 7 1/4 in. (39.4 x 22.9 x 18.4 cm), Stone Sculpture, The figure carries a sword, bow, quiver, and a flask or bag, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC92HP–The Picture Book, 1923, Drypoint; second state of two, restrike, plate: 8 11/16 x 5 7/8 in. (22 x 15 cm), Prints, Mary Cassatt
![[Countess de Castiglione]. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: Image: 27.8 x 20.9 cm (10 15/16 x 8 1/4 in.) Mount: 29 x 22 cm (11 7/16 x 8 11/16 in.) Mount (2nd): 45 x 35.3 cm (17 11/16 x 13 7/8 in.) Mat: 50.8 x 40.6 cm (20 x 16 in.). Person in Photograph: Countess Virginia Oldoini Verasis di Castiglione (1835-1899). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAB3NG/countess-de-castiglione-artist-pierre-louis-pierson-french-1822-1913-dimensions-image-278-x-209-cm-10-1516-x-8-14-in-mount-29-x-22-cm-11-716-x-8-1116-in-mount-2nd-45-x-353-cm-17-1116-x-13-78-in-mat-508-x-406-cm-20-x-16-in-person-in-photograph-countess-virginia-oldoini-verasis-di-castiglione-1835-1899-date-1858-museum-metropolitan-museum-of-art-new-york-usa-PAB3NG.jpg "[Countess de Castiglione]. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: Image: 27.8 x 20.9 cm (10 15/16 x 8 1/4 in.) Mount: 29 x 22 cm (11 7/16 x 8 11/16 in.) Mount (2nd): 45 x 35.3 cm (17 11/16 x 13 7/8 in.) Mat: 50.8 x 40.6 cm (20 x 16 in.). Person in Photograph: Countess Virginia Oldoini Verasis di Castiglione (1835-1899). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
RMPAB3NG–[Countess de Castiglione]. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: Image: 27.8 x 20.9 cm (10 15/16 x 8 1/4 in.) Mount: 29 x 22 cm (11 7/16 x 8 11/16 in.) Mount (2nd): 45 x 35.3 cm (17 11/16 x 13 7/8 in.) Mat: 50.8 x 40.6 cm (20 x 16 in.). Person in Photograph: Countess Virginia Oldoini Verasis di Castiglione (1835-1899). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.
RF2HTXPT4–Art inspired by James Henry Hackett, 1832, Engraving on chine collé; second state of three, plate: 8 15/16 x 6 5/16 in. (22.7 x 16 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Henry Inman (American, Utica, New York 1801–1846, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPR166X–(Portrait of a young girl, American; 1850s; Hand-colored salted paper print; 22.3 x 17.7 cm, 8 3,4 x 6 15,16 in
RMPAXX35–Speculum Romanae Magnificentiae: Egyptian Obelisk. Artist: Etienne DuPérac (French, ca. 1535-1604). Dimensions: sheet: 15 3/8 x 10 1/16 in. (39 x 25.5 cm) mount: 22 1/16 x 16 3/4 in. (56 x 42.6 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: mid-to-late 16th century. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Ro
RF2HW2GCX–Art inspired by Sugar Bowl, 1800–1810, Made in New York, New York, United States, American, Silver, Overall: 6 3/16 x 8 7/8 x 3 3/4 in. (15.7 x 22.5 x 9.5 cm); 14 oz. 12 dwt. (454.1 g), Silver, William G. Forbes (1751–1840, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC77W2–Tunic Fragment, 7th–9th century, Peru, Wari, Camelid hair, cotton, Overall: 22 1/2 x 80 in. (57.15 x 203.2 cm), Textiles-Woven
RMPB4F2D–Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk. Artist: Attributed to Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: mount: 17 15/16 x 12 5/8 in. (45.5 x 32 cm) sheet: 22 1/16 x 16 3/4 in. (56.1 x 42.6 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1543-70. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio
RF2HW9GFH–Art inspired by Kettle Stand, 1810–20, Made in New York, New York, United States, American, Mahogany, marble, tulip poplar, white pine, 29 1/4 x 22 1/8 x 15 1/2 in. (74.3 x 56.2 x 39.4 cm), Furniture, Attributed to the Workshop of Duncan Phyfe (1770–1854, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC57BM–Cassetta frame, early 17th century, Italian, Veneto or Marches, Poplar, 33 x 27.1, 21.3 x 15.2, 22.6 x 16.5 cm., Frames
RMR4K45B–Speculum Romanae Magnificentiae: St. Peter's. Artist: Vincenzo Luchino (Italian, active Rome and Venice from 1552, died Venice (?), 1569/71). Dimensions: Plate: 15 3/16 x 21 7/16 in. (38.5 x 54.5 cm) Sheet: 17 11/16 x 22 1/16 in. (45 x 56 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1564. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worke
RF2HW0107–Art inspired by Aquamanile in the Form of a Lion, ca. 1200, North German, Copper alloy, Overall: 9 1/8 x 8 15/16 x 3 3/4 in. (23.2 x 22.7 x 9.5 cm), Metalwork-Copper alloy, This aquamanile is distinguished by the lion’s turned head, which grasps the neck of the dragon in its jaws. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCA8CP–Allegory of Time, 1690–1733, Engraving, sheet: 22 1/16 x 15 3/4 in. (56 x 40 cm), Prints, Bernard Picart (French, Paris 1673
RMPA9A7E–The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series. Artist: First generation after Manaku and Nainsukh; Attributed to Ranjha. Culture: India (Kangra, Himachal Pradesh). Dimensions: Page: 11 1/2 x 15 9/16 in. (29.2 x 39.5 cm) Image: 8 3/4 x 13 1/8 in. (22.2 x 33.3 cm). Date: ca. 1800-10. In this painting based on the poem of Shrisharsh, the Naishadhacharita, the marital happiness of Nala and Damayanti is described. It is one of a larger group of pictures that remained unfinished but nonetheless are among the most accomplished works of the first generation after Manaku
RF2HW7ATK–Art inspired by Jason confronting the dragon guarding the Golden Fleece, from: Histoire de Jason et de la conquête de la toison d'or, 1563, Engraving, Plate: 6 1/8 x 9 in. (15.5 x 22.8 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After Leonard Thiry (French, died, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPPXMRR–The Crossing of the Red Sea; Nicolas Poussin, French, 1594 - 1665, about 1634; Red chalk; 15.6 x 22.5 cm, 6 1,8 x 8 7,8 in
RMPB1BCY–Speculum Romanae Magnificentiae: Portraits of the Emperors from Julius Caesar to Rudolf II. Artist: Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 16 7/8 x 22 1/8 in. (42.9 x 56.2 cm) plate: 13 15/16 x 19 1/8 in. (35.4 x 48.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1582. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) T
RF2HW2HNB–Art inspired by Teapot, ca. 1840, Made in New York, New York, United States, American, Silver, Overall: 7 15/16 x 8 13/16 x 5 3/8 in. (20.2 x 22.4 x 13.7 cm); 27 oz. 3 dwt. (844.9 g), Silver, William Forbes (baptized 1799, active New York, 1826–63, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPPYDF3–Vash Gon - Jicarilla; Edward S. Curtis, American, 1868 - 1952, 1904; Gravure; 39.5 x 22.6 cm 15 9,16 x 8 7,8 in
RMPANYG7–Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace. Artist: Anonymous. Dimensions: sheet: 14 x 17 15/16 in. (35.6 x 45.5 cm) plate: 12 x 16 1/8 in. (30.5 x 41 cm) mount: 16 13/16 x 22 1/16 in. (42.7 x 56 cm). Publisher: Paolo Graziani (Italian, active Rome, 1577-84). Series/Portfolio: Speculum Romanae Magnificentiae. Date: late 16th century. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Rom
RF2HTX98W–Art inspired by Head of a king, Sasanian, ca. 4th century, Iran, Sasanian, Silver, mercury gilding, 15 3/4 x 9 x 7 7/8 in. (40 x 22.9 x 20 cm), Metalwork-Sculpture, The Sasanian dynasty of Iran ruled an area from the Euphrates River to Bactria from the third century A.D. until the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCBHFJ–Garden of the Luxembourg, 1898–1915, Etching and drypoint, with plate tone, Plate: 10 15/16 x 8 7/8 in. (27.8 x 22.6 cm), Prints
RMPAN11R–Speculum Romanae Magnificentiae: A Papal Gathering in the Sistine Chapel, Michelangelo's Last Judgement on the back wall; the crowd looks on through a screen. Artist: Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 21 1/16 x 15 9/16 in. (53.5 x 39.5 cm) mount: 22 1/16 x 16 7/8 in. (56 x 42.8 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1582. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculu
RF2HKJY19–Art inspired by Lovers, Ernest Crichlow, American, 1914-2005, Lithograph on white wove paper, 1938, Sheet: 22 1/4 x 15 3/16 in., 56.5 x 38.6 cm, 20thC, abduction, African-American, born in Brooklyn, Brooklyn artist, contemporary art, hood, Ku Klux Klan, race relations, social injustice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC9T2J–The Siege of a Fortress, n.d., Woodcut, sheet: 8 13/16 x 14 15/16 in. (22.4 x 37.9 cm), Prints, Albrecht Dürer (German
RMPAAJPG–Various Lamps and a vase encusted with cameos, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi (Vases, candelabra, grave stones, sarcophagi, tripods, lamps and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 16 1/8 x 22 5/8 in. (41 x 57.5 cm) Plate: 15 3/16 x 21 1/16 in. (38.5 x 53.5 cm). Series/Portfolio: Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed i
RF2HW0GCJ–Art inspired by Pardessus de Viole, ca. 1750, Mirecourt, France, French, Wood, Overall: 19 x 10 x 56.8cm (7 1/2 x 3 15/16 x 22 3/8in.), Chordophone-Lute-bowed-fretted, Nicholas Chappuy (French, Mirecourt 1730–1781 Mirecourt), A small treble-range viol called the pardessus was invented, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCC2AH–The Sacrifice of Polyxena, 1776, Etching, plate: 8 3/4 x 11 15/16 in. (22.2 x 30.3 cm), Prints, Giovanni David (Italian
RMPAKW2M–Wandering Vinegar Seller. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 3/16 x 6 15/16 in. (23.3 x 17.6 cm) Image: 8 7/8 x 6 7/8 in. (22.6 x 17.5 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Third Set (Études Prises dans le Bas Peuple où les Cris de Paris: Troisième Suite). Date: 1738. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW18GW–Art inspired by Essempio di recammi, page 22 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCBD61–Martyrdom of St. Lawrence, ca. 1505, Woodcut, sheet: 8 15/16 x 13 3/16 in. (22.7 x 33.5 cm), Prints, Hans Baldung
RMPANR9C–Electro-Physiologie, Figure 64. Artist: Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806-1875); Adrien Tournachon (French, 1825-1903). Dimensions: Image: 29.8 x 22.3 cm (11 3/4 x 8 3/4 in.) Mount: 40.1 x 28.5 cm (15 13/16 x 11 1/4 in.). Date: 1854-56, printed 1862. In compiling a scientific treatise to aid artists, the physiologist Duchenne de Boulogne used electrical stimulation of the facial muscles to elicit expressions of the principal emotions. Wanting his transcriptions to be exact, he collaborated with Adrien Tournachon (brother of the famous Nadar), a photographer who spec
RF2HW18HG–Art inspired by Essempio di recammi, page 22 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCB4WR–Summer, 18th century (?), Pen and bistre washed with India ink and orange gouache on blue paper., 16 15/16 x 22 5/16 in. (43 x 5
RMPB2361–Purse. Culture: European. Dimensions: Overall: 9 x 7 1/16 x 1 5/8 in. (22.9 x 17.9 x 4.1 cm) purse clasp only: 5 x 6 x 1 5/8 in. (12.7 x 15.2 x 4.1 cm). Date: 15th-16th century. Purses of various shapes and sizes, carried by both men and women, were given descriptive terms in medieval inventories, such as bourse or poche à compartement. In the fifteenth century, purses with clasps of metal and loops on the rear which could be attached directly to the belt superseded the pouches which closed with drawstrings and hung from the belt. The clasp no doubt came into use to provide greater security
RF2HW2N9X–Art inspired by Stained-glass window, ca. 1656, Made in New York, New York, United States, American, Painted leaded glass, Framed: 22 3/8 x 15 1/2 in. (56.8 x 39.4 cm), Glass, Evert Duyckinck (ca. 1620–ca. 1700), Evert Duyckinic was one of the earliest artists in glass in this country, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC8GAF–Curlews and Ducks, 17th century, Red chalk, 8 15/16 x 7 5/16 in. (22.7 x 18.6 cm), Drawings, Nicolas Robert (French, Langres
RMRFJ3B1–Alfred, Lord Tennyson. Artist: Julia Margaret Cameron (British (born India), Calcutta 1815-1879 Kalutara, Ceylon). Dimensions: Image: 22.9 x 18.4 cm (9 x 7 1/4 in.), rounded top Mount: 40.5 x 24.6 cm (15 15/16 x 9 11/16 in.), irregular. Date: 1865. A brilliant poet from an early age, Alfred Tennyson (1809-1892) was widely published and admired by 1850, when Queen Victoria named him Poet Laureate to succeed William Wordsworth. 'The Lady of Shalott,' 'Break, Break, Break,' 'In Memoriam A.H.H.,' 'The Charge of the Light Brigade,' and Idylls of the King, a poetic cycle based on the Arthurian leg
RF2HW2KJ0–Art inspired by Box, 1705–15, Made in New England, United States, American, Yellow poplar, chestnut, white oak, 6 3/4 x 22 7/8 x 16 in. (17.1 x 58.1 x 40.6 cm), Furniture, This box has an elaborate cast escutcheon of the type found on high-style case furniture, yet its painted ornament, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCA81G–Claude Mellan: Self Portrait, 1635, Engraving; first state of two, sheet: 9 x 6 1/4 in. (22.8 x 15.9 cm), Prints, Claude Mellan
RMPB1BMA–Speculum Romanae Magnificentiae: The Altar of Eros. Artist: Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome); After (?) Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: mount: 17 15/16 x 11 13/16 in. (45.5 x 30 cm) sheet: 11 5/8 x 8 11/16 in. (29.5 x 22 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1514-36. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found
RF2HKKCD2–Art inspired by Portrait of Ellen Ely, Charles Waldo Jenkins, American, ca.1820-ca. 1896, Oil on canvas, 1857, 26 15/16 x 22 1/16 in., 68.5 x 56 cm, 1857, American Painting, cameo, canvas, Ellen Ely, female, framed, Jenkins, lace, oil on canvas, parted hair, portrait, Portrait of Ellen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC67NM–Print, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 11/16 x 11 15/16 in. (22.1 x 30.3 cm), Prints
RMPAAYE0–Descent of Eleven-Headed Kannon. Culture: Japan. Dimensions: Image: 33 15/16 x 15 1/4 in. (86.2 x 38.7 cm) Overall with mounting: 64 1/4 x 19 1/2 in. (163.2 x 49.5 cm) Overall with knobs: 65 1/2 x 22 in. (166.4 x 55.9 cm). Date: 14th century. The bodhisattva Kannon is closely associated with the Buddha of Infinite Light, Amida Nyorai, who vowed to save all sentient beings by bringing them to his Pure Land in the West. This role is indicated in the iconography of his adornment. The crown and rays of light that emanate in all directions from his golden form recall Kannon's role as the princip
RF2HKK8JE–Art inspired by Mon Brave, William John Hennessy, American, 1839-1917, Oil on board, 1870, 11 15/16 x 8 15/16 in., 30.4 x 22.7 cm, 1870, Black, black dress, blond hair, blonde, bows, curls, dresser, Female Figure, flowers, hair, Interior, kiss, love, Oil on board, painting, shrine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCABE1–Two Goats and Three Sheep, 1655, Etching, sheet: 8 15/16 x 10 13/16 in. (22.7 x 27.4 cm), Prints, Karel Dujardin (Dutch
RMPA9368–Design for hanging fixture. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Storage (mat size): 22 x 16 in. (55.9 x 40.6 cm) 22 1/8 × 15 in. (56.2 × 38.1 cm) Tracing: 12 5/8 × 9 7/8 in. (32.1 × 25.1 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: ca. 1905-20. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW8FJ1–Art inspired by A Windy Day on the Pont des Arts, ca. 1880–81, Oil on canvas, 15 5/8 x 22 1/4 in. (39.7 x 56.5 cm), Paintings, Jean Béraud (French, St. Petersburg 1849–1936 Paris), This painting of about 1880–81 depicts the Pont des Arts, a footbridge spanning the Seine between the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCAB0N–Self-Portrait with a Cigar, 1908–9, Lithograph, plate: 22 5/16 x 17 15/16 inches (56.7 x 45.6 cm), Prints, Edvard Munch
RMPANJKF–Design for The Magic Flute: The Hall of Stars in the Palace of the Queen of the Night, Act 1, Scene 6. Artist: After Karl Friedrich Schinkel (German, Neuruppin 1781-1841 Berlin); Karl Friedrich Thiele (German, 1780-1836). Dimensions: image: 9 x 13 3/4 in. (22.8 x 35 cm) plate: 11 3/16 x 15 3/4 in. (28.4 x 40 cm) sheet: 13 13/16 x 20 3/16 in. (35.1 x 51.2 cm). Publisher: Published by Ludwig Wilhelm Wittich (German, 1773-1832). Date: 1847-49. Schinkel, the most prominent and prolific German architect of the nineteenth century, also worked for Berlin's major theatrical stages. His designs for
RF2HTX15D–Art inspired by Cour, 7 rue de Valence, 1922, Gelatin silver print from glass negative, Image: 17.2 x 22.7 cm (6 3/4 x 8 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Atget found his vocation in photography in 1897, at the age of forty, after having been a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC8RYF–Two Sleeping Children, n.d., Black chalk, heightened with white chalk, Sheet: 5 15/16 x 8 3/4 in. (15.1 x 22.2cm), Drawings
RMPAKRG0–Cooper. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 3/16 x 6 15/16 in. (23.3 x 17.6 cm) Image: 8 7/8 x 6 7/8 in. (22.6 x 17.5 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Fourth Set (Études Prises dans le Bas Peuple où les Cris de Paris: Quatrième Suite). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.
RF2HTYCMW–Art inspired by Saint Ansanus, ca. 1326, Tempera on wood, gold ground, Overall 22 5/8 x 15 in. (57.5 x 38.1 cm); painted surface 22 1/2 x 14 1/2 in. (57.2 x 36.8 cm), Paintings, Simone Martini (Italian, Siena, active by 1315–died 1344 Avignon), This panel, together with a related work, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC9GN7–The Baptism of Christ, 1725–75, Brush and grey ink, over a sketch in graphite or black chalk., sheet: 15 3/8 x 9 in. (39 x 22.8
RMPB2280–Skull Crowned with Snakes and Flowers, The Duchess of Malfi. Artist: Henry Weston Keen (British, 1899-1935 Walberswick, Suffolk). Author: John Webster (British, ca. 1580-ca. 1634). Dimensions: sheet: 6 1/8 x 9 1/2 in. (15.6 x 24.1 cm) sheet: 22 x 14 5/8 in. (55.9 x 37.1 cm). Date: ca. 1930. Keen worked as a printmaker and illustrator in the 1920s and 1930s, creating unsettling symbolist images reminiscent of Aubrey Beardsley. Two significant commissions were designs for luxury editions published by The Bodley Head-a firm that had launched Beardsley in the 1890s-Oscar Wilde's 'Picture of Dori
RF2HTXFTH–Art inspired by Hercules and Antaeus, 1510–30, Chiaroscuro woodcut printed from two blocks in green-blue and black ink, Sheet: 11 15/16 x 8 7/8 in. (30.3 x 22.6 cm), Prints, Ugo da Carpi (Italian, Carpi ca. 1480–1532 Bologna), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 15 x 22 Stock Photos and Images (10,481)
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