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Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt Stock Photo
RF2PJXP3P–Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt
. The Mythology of all races .. . g Hat-hor. Her husband was the Type ofHorus of Ombos, and her son was (P)-neb-taui (p. 140). Sop (earlier Sepa), a god who was worshipped in and nearHeliopolis, was later identified with Osiris. This and the laterpronunciation are shown by Osarsyph, the alleged Egyptianname which Manetho ascribes to Moses.^^^ Sopd(u), the lord of the east, the one who smites theAsiatics, was the deity of the twentieth nome of the Delta(later termed the Arabian Nome) at the western entranceto the valley of Goshen, with the capital Pe(r)-sopd(u) (Houseof Sopd; also called House Stock Photo
RM2CGGWKD–. The Mythology of all races .. . g Hat-hor. Her husband was the Type ofHorus of Ombos, and her son was (P)-neb-taui (p. 140). Sop (earlier Sepa), a god who was worshipped in and nearHeliopolis, was later identified with Osiris. This and the laterpronunciation are shown by Osarsyph, the alleged Egyptianname which Manetho ascribes to Moses.^^^ Sopd(u), the lord of the east, the one who smites theAsiatics, was the deity of the twentieth nome of the Delta(later termed the Arabian Nome) at the western entranceto the valley of Goshen, with the capital Pe(r)-sopd(u) (Houseof Sopd; also called House
Harpokrates in an Egyptianizing Crown and holding the club of Herakles A.D. 1st century Roman Period Harpokrates, or 'Horus the child,' the son of Isis and Osiris/Serapis, is here represented as a chubby toddler with a plump, crooked forefinger reaching toward his small mouth. He holds the knobby club of the Greek god Herakles and on his head wears a vestigial Egyptian double crown detailed with striations and dots. The crown is obscured in the front by a very large sun disk bearing a uraeus. A natural but infequently noted deep blue corrosion gives the piece a rich tone.Harpokrates, the quint Stock Photo
RM2HHTWD7–Harpokrates in an Egyptianizing Crown and holding the club of Herakles A.D. 1st century Roman Period Harpokrates, or 'Horus the child,' the son of Isis and Osiris/Serapis, is here represented as a chubby toddler with a plump, crooked forefinger reaching toward his small mouth. He holds the knobby club of the Greek god Herakles and on his head wears a vestigial Egyptian double crown detailed with striations and dots. The crown is obscured in the front by a very large sun disk bearing a uraeus. A natural but infequently noted deep blue corrosion gives the piece a rich tone.Harpokrates, the quint
Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt Stock Photo
RF2PJXP40–Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt
. Osiris and the Egyptian resurrection;. d themyrrh and unguents. It was foreseen that in the processof embalming, the head might be mislaid, and that thehead of one man might be joined to the body ofanother. To avoid this terrible possibility, the priests atthe time when decapitation of the dead was general drewup the following formula : * I am the Great One, son of the Great One, I am Fire, the son of Fire, to whom was given his head after it had been cut off. The head of Osiris was not taken away, let not the head of so-and-so be taken away from him. I have knit (or, arranged) myself togeth Stock Photo
RM2CEGH9K–. Osiris and the Egyptian resurrection;. d themyrrh and unguents. It was foreseen that in the processof embalming, the head might be mislaid, and that thehead of one man might be joined to the body ofanother. To avoid this terrible possibility, the priests atthe time when decapitation of the dead was general drewup the following formula : * I am the Great One, son of the Great One, I am Fire, the son of Fire, to whom was given his head after it had been cut off. The head of Osiris was not taken away, let not the head of so-and-so be taken away from him. I have knit (or, arranged) myself togeth
Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am Stock Photo
RM2HHW1PK–Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am
Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt Stock Photo
RF2PJXP80–Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt
. The Nile. Notes for travellers in Egypt . is coloured red and green, probably to represent the colours of the water ofthe Nile immediately before and just after the beginning ofthe inundation. A was a god intro- Serapis, i.e., Osiris-Apis, rjS duced into Egypt during the reign of the Ptolemies; *he is represented with the head of a bull wearing a disk andurceus. He is said to be the second son of Ptah. Theworship of Apis at Memphis goes back to the earliest times ;the Serapeum, discoveied there by M. Mariette, containedthe tombs of Apis bulls from the time of Amenophis III.(about e.c. 1550) Stock Photo
RM2CJ40B6–. The Nile. Notes for travellers in Egypt . is coloured red and green, probably to represent the colours of the water ofthe Nile immediately before and just after the beginning ofthe inundation. A was a god intro- Serapis, i.e., Osiris-Apis, rjS duced into Egypt during the reign of the Ptolemies; *he is represented with the head of a bull wearing a disk andurceus. He is said to be the second son of Ptah. Theworship of Apis at Memphis goes back to the earliest times ;the Serapeum, discoveied there by M. Mariette, containedthe tombs of Apis bulls from the time of Amenophis III.(about e.c. 1550)
Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am Stock Photo
RM2HHWD13–Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am
Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt Stock Photo
RF2PJXP7E–Detail of battle scenes in forecourt of Temple of Seti I, Abydos, Egypt
Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt. Stock Photo
RFCC0WB5–Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt.
The Temple of Ramesses II close to the Temple of Seti I at Abydos, Egypt Stock Photo
RFDATX9K–The Temple of Ramesses II close to the Temple of Seti I at Abydos, Egypt
. The Mythology of all races .. . wing connected myth,using Plutarchs sketchas a basis whereverpossible and markingthe most importantvariants by brackets. Osiris, who was es-pecially fine of faceand tall, was a childof the earth-god, Qeb,and the sky. Nut(p. 41), as a new im-personation of the sun.He was born on thefirst of the five epa-gomenal days whichclosed the year andwhich were regardedas particularly sacred.^With him his twin sis-ter, Isis, saw the light[some sources, however, state that she was born on the fourthepagomenal day]. When his birth is described as from theocean, like his son Stock Photo
RM2CGH2TD–. The Mythology of all races .. . wing connected myth,using Plutarchs sketchas a basis whereverpossible and markingthe most importantvariants by brackets. Osiris, who was es-pecially fine of faceand tall, was a childof the earth-god, Qeb,and the sky. Nut(p. 41), as a new im-personation of the sun.He was born on thefirst of the five epa-gomenal days whichclosed the year andwhich were regardedas particularly sacred.^With him his twin sis-ter, Isis, saw the light[some sources, however, state that she was born on the fourthepagomenal day]. When his birth is described as from theocean, like his son
Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt. Stock Photo
RFCC0WAE–Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt.
Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am Stock Photo
RM2HHW1P7–Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am
. A guide to the third and fourth Egyptian rooms : predynastic antiquites, mummied birds and animals, portrait statues, figures of gods, tools, implements and weapons, scarabs, amulets, jewellery, and other objects connected with the funeral rites of the ancient Egyptians . Figures of Urt-nefert and her husband.No. 2302. made by the son of the deceased, who was chief priest ofOsiris, and bore the same name as his father. XVIIIthdynasty. [Na 2300.] No. 211. Painted limestone figure of a scribe holdingbefore him an image of Osiris. XVIIIth dynasty. [No. 2292.]H 2 IOC THIRD EGYPTIAN ROOM—WALL-CAS Stock Photo
RM2CP4E64–. A guide to the third and fourth Egyptian rooms : predynastic antiquites, mummied birds and animals, portrait statues, figures of gods, tools, implements and weapons, scarabs, amulets, jewellery, and other objects connected with the funeral rites of the ancient Egyptians . Figures of Urt-nefert and her husband.No. 2302. made by the son of the deceased, who was chief priest ofOsiris, and bore the same name as his father. XVIIIthdynasty. [Na 2300.] No. 211. Painted limestone figure of a scribe holdingbefore him an image of Osiris. XVIIIth dynasty. [No. 2292.]H 2 IOC THIRD EGYPTIAN ROOM—WALL-CAS
Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt. Stock Photo
RFCC0WBT–Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt.
Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am Stock Photo
RM2HHW1RE–Isis and Horus 664–30 B.C. Late Period–Ptolemaic Period Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent am
. A history of art in ancient Egypt . III. by a brother andsister whose statues were found in it, but it also contained Sebau, son of Menkara,a high official of the time of the Ptolemies, with his wife and all his family (c. iv.). 2 Mariette {Voyage dans la haute Egypte, p. 32) thought that the word Sakkarahwas an ancient name derived from Socharis, a Memphite form of Osiris. The Tomb under the Ancient Empire. 167 has sent us of the tomb of Sabou (Fig. 106). The othermastabas figured by us have all been more or less restored. The mastaba is a massive structure, rectangular on plan, withfour fa Stock Photo
RM2CE14TH–. A history of art in ancient Egypt . III. by a brother andsister whose statues were found in it, but it also contained Sebau, son of Menkara,a high official of the time of the Ptolemies, with his wife and all his family (c. iv.). 2 Mariette {Voyage dans la haute Egypte, p. 32) thought that the word Sakkarahwas an ancient name derived from Socharis, a Memphite form of Osiris. The Tomb under the Ancient Empire. 167 has sent us of the tomb of Sabou (Fig. 106). The othermastabas figured by us have all been more or less restored. The mastaba is a massive structure, rectangular on plan, withfour fa
Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt. Stock Photo
RFCC0WAN–Decorated walls in the tomb of Bannentui sited in Qarat Qasr Salim village of Bawiti, Bahariya Oasis Egypt.
Details of Dendera Temple showing the relief of Cleopatra VII and her son Caesarion Stock Photo
RFC8478M–Details of Dendera Temple showing the relief of Cleopatra VII and her son Caesarion
Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt. Stock Photo
RFCC0WNB–Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt.
Offering Table of Tjaenhesret, priest of Thoth, son of Iaa 332–30 B.C. Ptolemaic Period Tjaenhesret is shown pouring a libation over a group of food offerings clustered around three libation jars interspersed with cool lotus plants. The label before his face and above him reads 'Libation for the Osiris Tjayenhesret, son of Iaa who held the same titles.' Just below his feet an empty space is visible where a place left for the name of his son was never filled in. A tabular offering list appears above and on the right side of the scene, and the whole is surrounded by rows and columns that give an Stock Photo
RM2HHW2MK–Offering Table of Tjaenhesret, priest of Thoth, son of Iaa 332–30 B.C. Ptolemaic Period Tjaenhesret is shown pouring a libation over a group of food offerings clustered around three libation jars interspersed with cool lotus plants. The label before his face and above him reads 'Libation for the Osiris Tjayenhesret, son of Iaa who held the same titles.' Just below his feet an empty space is visible where a place left for the name of his son was never filled in. A tabular offering list appears above and on the right side of the scene, and the whole is surrounded by rows and columns that give an
. A guide to the third and fourth Egyptian rooms : predynastic antiquites, mummied birds and animals, portrait statues, figures of gods, tools, implements and weapons, scarabs, amulets, jewellery, and other objects connected with the funeral rites of the ancient Egyptians . s of the workof the periods to whichthey belong. [No.24,398.] Nos. 65-70.A group of ushabtiufigures inscribed forTchanehebu, son ofNefert-ith, a super-intendent of theroyal barges [Nos.34,278, etc.]. No. 71.Blue glazed porce-lain rectangular tileor plaque, with arepresentation ofthe royal scribe Amen-em-apt adoring Osiris. Stock Photo
RM2CP4493–. A guide to the third and fourth Egyptian rooms : predynastic antiquites, mummied birds and animals, portrait statues, figures of gods, tools, implements and weapons, scarabs, amulets, jewellery, and other objects connected with the funeral rites of the ancient Egyptians . s of the workof the periods to whichthey belong. [No.24,398.] Nos. 65-70.A group of ushabtiufigures inscribed forTchanehebu, son ofNefert-ith, a super-intendent of theroyal barges [Nos.34,278, etc.]. No. 71.Blue glazed porce-lain rectangular tileor plaque, with arepresentation ofthe royal scribe Amen-em-apt adoring Osiris.
Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt. Stock Photo
RFCC0EMC–Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt.
Relief from the South Wall of a Chapel of Ramesses I ca. 1295–1294 B.C. New Kingdom, Ramesside Ramesses I, first king of Dynasty 19, was a military officer from the eastern Delta. He served as a general and vizier under Haremhab, last king of Dynasty 18, and was designated by him as his successor. Probably quite old when he became king, most of his monuments were finished by his son, Seti I.The south wall, shown here, depicts Ramesses I and his family presenting offerings to Osiris. The upper register (now lost) showed Ramesses leading four young bulls to 'Osiris Onnophris.' In the lower regis Stock Photo
RM2HHR6D8–Relief from the South Wall of a Chapel of Ramesses I ca. 1295–1294 B.C. New Kingdom, Ramesside Ramesses I, first king of Dynasty 19, was a military officer from the eastern Delta. He served as a general and vizier under Haremhab, last king of Dynasty 18, and was designated by him as his successor. Probably quite old when he became king, most of his monuments were finished by his son, Seti I.The south wall, shown here, depicts Ramesses I and his family presenting offerings to Osiris. The upper register (now lost) showed Ramesses leading four young bulls to 'Osiris Onnophris.' In the lower regis
Head from a figure of a child god, perhaps Harpokrates ca. 664–30 B.C. Late Period (Saite)–Ptolemaic Period This tiny head likely comes from the figure of a child god, perhaps Harpokrates, son of Isis and Osiris. The god’s youth is indicated by the braided sidelock that emerges from the cap that covers his head. Despite its small size, the face is carefully crafted, and the clearly delineated features are well preserved. Beginning in the Third Intermediate Period (ca. 1000-700 B.C.), child gods grew in importance, and were especially popular as temple offerings. The best known of these was Har Stock Photo
RM2HH35F4–Head from a figure of a child god, perhaps Harpokrates ca. 664–30 B.C. Late Period (Saite)–Ptolemaic Period This tiny head likely comes from the figure of a child god, perhaps Harpokrates, son of Isis and Osiris. The god’s youth is indicated by the braided sidelock that emerges from the cap that covers his head. Despite its small size, the face is carefully crafted, and the clearly delineated features are well preserved. Beginning in the Third Intermediate Period (ca. 1000-700 B.C.), child gods grew in importance, and were especially popular as temple offerings. The best known of these was Har
. Osiris and the Egyptian resurrection;. Osiris of Philae. Ml ci n I ^■^ s- 2 D W 2 British Museum, No. 10,471. 46 Osiris and the Egyptian Resurrection In the Ptolemaic Period some interesting additionsappear in the scenes in which Osiris plays the chief part.Thus, in a relief at Denderah/ the god, arrayed in agarment which reaches to his ankles, stands holding hissymbols of sovereignty. Before him stands Horus,son of Isis and Osiris, holding a knife in his left hand.Between the god and his father is the terrible slave stick T, which is stuck in the ground, and to it is tied by the arms an Stock Photo
RM2CEGNXD–. Osiris and the Egyptian resurrection;. Osiris of Philae. Ml ci n I ^■^ s- 2 D W 2 British Museum, No. 10,471. 46 Osiris and the Egyptian Resurrection In the Ptolemaic Period some interesting additionsappear in the scenes in which Osiris plays the chief part.Thus, in a relief at Denderah/ the god, arrayed in agarment which reaches to his ankles, stands holding hissymbols of sovereignty. Before him stands Horus,son of Isis and Osiris, holding a knife in his left hand.Between the god and his father is the terrible slave stick T, which is stuck in the ground, and to it is tied by the arms an
Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt. Stock Photo
RFCC0EW9–Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt.
Stela of Senu Adoring Osiris ca. 1390–1352 B.C. New Kingdom This stela depicts the royal scribe Senu adoring the god Osiris, ruler of the underworld. Below, Senu's son, the lector priest Pawahy, is depicted twice. Once standing and pouring a libation; once kneeling and reciting the funerary prayer inscribed in front of him. A second stela belonging to Senu is displayed in the same gallery (12.182.39).. Stela of Senu Adoring Osiris. ca. 1390–1352 B.C.. Limestone. New Kingdom. From Egypt; Probably from Middle Egypt, Tuna el-Gebel. Dynasty 18 Stock Photo
RM2HH731E–Stela of Senu Adoring Osiris ca. 1390–1352 B.C. New Kingdom This stela depicts the royal scribe Senu adoring the god Osiris, ruler of the underworld. Below, Senu's son, the lector priest Pawahy, is depicted twice. Once standing and pouring a libation; once kneeling and reciting the funerary prayer inscribed in front of him. A second stela belonging to Senu is displayed in the same gallery (12.182.39).. Stela of Senu Adoring Osiris. ca. 1390–1352 B.C.. Limestone. New Kingdom. From Egypt; Probably from Middle Egypt, Tuna el-Gebel. Dynasty 18
. Osiris and the Egyptian resurrection;. Nekhebit and IIu presenting life andsovereignty to the son of Isis. ofofon the modern witch-doctor, grasping her right arm, andpresenting to her the protection of magic. Thegoddesses, standing one on each side, are Nekhebit and ^ Mentre infatti la donna si reca colla sua compagne sul piu vicinobosco onde deporre in mezzo alia erbe il proprio feto, il marito se ne stanella capanna in consulta col profeta per sapere se o no il parto sarafelice.—Piaggia, Viaggi nelFAfrica Centrale, p. 130. 2 The Baganda at Home, p. 112. 2 Uganda Protectorate, Vol. II, p. 5 Stock Photo
RM2CEG624–. Osiris and the Egyptian resurrection;. Nekhebit and IIu presenting life andsovereignty to the son of Isis. ofofon the modern witch-doctor, grasping her right arm, andpresenting to her the protection of magic. Thegoddesses, standing one on each side, are Nekhebit and ^ Mentre infatti la donna si reca colla sua compagne sul piu vicinobosco onde deporre in mezzo alia erbe il proprio feto, il marito se ne stanella capanna in consulta col profeta per sapere se o no il parto sarafelice.—Piaggia, Viaggi nelFAfrica Centrale, p. 130. 2 The Baganda at Home, p. 112. 2 Uganda Protectorate, Vol. II, p. 5
Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt. Stock Photo
RFCC0ERH–Close up of footprint in the baked mud of the mudbrick tomb of King Djer of the 1st Dynasty. 3000BC Abydos, Middle Egypt.
Isis nursing Horus in the marshes depicted on a fragment from a box lid or menat counterpoise ca. 1070–664 B.C. Third Intermediate Period The fragment depicts the goddess Isis nursing her infant son Horus concealed in the tall papyrus marshes. There she is hiding the baby from his uncle Seth who wants to kill Horus because he is Osiris's heir, just as Seth had killed Osiris.Images of Isis nursing Horus in the marshes or of a falcon in the marshes (as 08.202.15), are newly prominent in the Third Intermediate Period, part of the exploration and elaboration of Delta mythologies at this time, espe Stock Photo
RM2HH73J0–Isis nursing Horus in the marshes depicted on a fragment from a box lid or menat counterpoise ca. 1070–664 B.C. Third Intermediate Period The fragment depicts the goddess Isis nursing her infant son Horus concealed in the tall papyrus marshes. There she is hiding the baby from his uncle Seth who wants to kill Horus because he is Osiris's heir, just as Seth had killed Osiris.Images of Isis nursing Horus in the marshes or of a falcon in the marshes (as 08.202.15), are newly prominent in the Third Intermediate Period, part of the exploration and elaboration of Delta mythologies at this time, espe
Reliefs from a Chapel of Ramesses I ca. 1295–1294 B.C. New Kingdom, Ramesside Displayed in Gallery 129 are reliefs from three walls of the chapel of Ramesses I at Abydos. This monarch came to the throne as an elderly man; this chapel was completed by his son and successor, Seti I.On the north wall (see 11.155.3a-related), Ramesses I is depicted as a deceased king who has become divinized and identified with the god Osiris, ruler of the dead. The king is seated, with one hand stretched out toward a small offering table, with piles of food and drink to the right. Above is a list of offerings, no Stock Photo
RM2HHXD60–Reliefs from a Chapel of Ramesses I ca. 1295–1294 B.C. New Kingdom, Ramesside Displayed in Gallery 129 are reliefs from three walls of the chapel of Ramesses I at Abydos. This monarch came to the throne as an elderly man; this chapel was completed by his son and successor, Seti I.On the north wall (see 11.155.3a-related), Ramesses I is depicted as a deceased king who has become divinized and identified with the god Osiris, ruler of the dead. The king is seated, with one hand stretched out toward a small offering table, with piles of food and drink to the right. Above is a list of offerings, no
. The Holy Bible containing the Old and New Testaments ... OSIRIS, judge otthe dead. AMEN, father ofthe gods. The goddess SEKHET,the Sun-flame. The goddess NEITH,the Weaver. Plate^XX,NAMES of EGYPTIAN KINGS7mentioned in.the Bible. m GEM ^ GHEP King of the North and South, Usr-maat-Ra, setep-en-Ra, se-Ra,son ofthe Sun, Ra-messu meri Amen. (ftameses II.) m GE1SI ^G QHHt] King of the Kheper-sekhet-R3, son of Shashanq meri Amen,North and setep-en-Ra, the Sunfj (Shishqi^ South, C°Iu] ¥ (mehj King of the North Nefer-ka-Ra, son of the Sun, Shabaka. and South, (SabacoJ King of the Ra-nefer-Tem-Khu, so Stock Photo
RM2CEMCMW–. The Holy Bible containing the Old and New Testaments ... OSIRIS, judge otthe dead. AMEN, father ofthe gods. The goddess SEKHET,the Sun-flame. The goddess NEITH,the Weaver. Plate^XX,NAMES of EGYPTIAN KINGS7mentioned in.the Bible. m GEM ^ GHEP King of the North and South, Usr-maat-Ra, setep-en-Ra, se-Ra,son ofthe Sun, Ra-messu meri Amen. (ftameses II.) m GE1SI ^G QHHt] King of the Kheper-sekhet-R3, son of Shashanq meri Amen,North and setep-en-Ra, the Sunfj (Shishqi^ South, C°Iu] ¥ (mehj King of the North Nefer-ka-Ra, son of the Sun, Shabaka. and South, (SabacoJ King of the Ra-nefer-Tem-Khu, so
Relief of Hatiay ca. 1336–1295 B.C. New Kingdom This relief, which may have once decorated the entrance to the tomb of the God's Father, Hatiay, depicts him kneeling between two standing figures of his son and of a priest, all raising their right hands in adoration of a missing figure of the god, Sokar-Osiris. Hatiay who wears a long pleated kilt with a priestly sash and a broad collar, holds a censer and a spouted libation vase. His son behind him carries a bouquet on his shoulder, which extends beyond border of the relief. The inscription above evokes abundant offerings to the god.. Relief o Stock Photo
RM2HHTJAT–Relief of Hatiay ca. 1336–1295 B.C. New Kingdom This relief, which may have once decorated the entrance to the tomb of the God's Father, Hatiay, depicts him kneeling between two standing figures of his son and of a priest, all raising their right hands in adoration of a missing figure of the god, Sokar-Osiris. Hatiay who wears a long pleated kilt with a priestly sash and a broad collar, holds a censer and a spouted libation vase. His son behind him carries a bouquet on his shoulder, which extends beyond border of the relief. The inscription above evokes abundant offerings to the god.. Relief o
. Bird notes from the Nile. Birds. 74 Bird Notes from the Nile. and the farthest boundaries of ancient Egypt. '' He maketh the herb for the cattle, And the fruit tree for mankind; He giveth life to the fish in the river And to the bird under heaven ; He giveth life to the being in the egg, And preserves the son of the worm ; He created that whereon the fly lives, The worm, and the fleas, as many as there are; He creates what the mice need in their holes, And preserves the birds on all the trees.'' —H>mn to Amen.. Bennu bird. The Soul of Osiris.. Please note that these images are extracted Stock Photo
RMRHJWMF–. Bird notes from the Nile. Birds. 74 Bird Notes from the Nile. and the farthest boundaries of ancient Egypt. '' He maketh the herb for the cattle, And the fruit tree for mankind; He giveth life to the fish in the river And to the bird under heaven ; He giveth life to the being in the egg, And preserves the son of the worm ; He created that whereon the fly lives, The worm, and the fleas, as many as there are; He creates what the mice need in their holes, And preserves the birds on all the trees.'' —H>mn to Amen.. Bennu bird. The Soul of Osiris.. Please note that these images are extracted
. Berichte des Naturwissenschaftlich-medizinischen Vereins in Innsbruck. Science; Medicine. â 124 â âLe Chrysis osiris Buyss. a ete obtenu d'eclosion par M. Juba de Lhotellerie d' Helix habites par V Osmia n. sp." (Buys son.) Unterscheidet sich von rufohirta und fossoria beson- ders durch die kurze, nur von der Seite betrachtet sichtbar werdende, schwärzliche Behaarung der mittleren Dor- salsegmente; von ersterer überdies durch ganz verschiedene Sculptur. Bei dem von mir gesehenen Exemplare ist Dorsalsegm. 1. beiderseits buschig roth behaart; 2.â5. kurz schwärzlich, 2. ausserdem an den Stock Photo
RMRHW3XA–. Berichte des Naturwissenschaftlich-medizinischen Vereins in Innsbruck. Science; Medicine. â 124 â âLe Chrysis osiris Buyss. a ete obtenu d'eclosion par M. Juba de Lhotellerie d' Helix habites par V Osmia n. sp." (Buys son.) Unterscheidet sich von rufohirta und fossoria beson- ders durch die kurze, nur von der Seite betrachtet sichtbar werdende, schwärzliche Behaarung der mittleren Dor- salsegmente; von ersterer überdies durch ganz verschiedene Sculptur. Bei dem von mir gesehenen Exemplare ist Dorsalsegm. 1. beiderseits buschig roth behaart; 2.â5. kurz schwärzlich, 2. ausserdem an den
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