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jaime torres "palomitay" from books.google.com
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical ...
jaime torres "palomitay" from books.google.com
Unparalleled in scope, the volume covers Peru’s history from its extraordinary pre-Columbian civilizations to its citizens’ twenty-first-century struggles to achieve dignity and justice in a multicultural nation where Andean, African, ...
jaime torres "palomitay" from books.google.com
This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind.
jaime torres "palomitay" from books.google.com
Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard’s masterful exploration of the power of music and what history reveals about the dangers it poses.
jaime torres "palomitay" from books.google.com
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
jaime torres "palomitay" from books.google.com
Plaza's compositions in the emerging nationalist style and his efforts to improve musical institutions in his home country parallel the work of contemporaneous Latin American musicians including Carlos Chávez of Mexico, Amadeo Roldán ...
jaime torres "palomitay" from books.google.com
Survey of Spain's history and culture from earliest times to 1959.
jaime torres "palomitay" from books.google.com
The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Perú, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.