Colin Morgan strolls out of rehearsal at the Mountview drama school, south London, with a smile on his face and a woollen cap pulled down on his black curls. He’s 34, but doesn’t look much older than the students rushing to lunch around him. Yet in the packed years since he left college — to take a leading role at the Young Vic — he has established himself as one of the best and most original actors around.
Whether on stage in acclaimed productions of Brian Friel’s Translations at the National and Arthur Miller’s All My Sons at the Old Vic, or on television in The Fall and Humans, he has a knack for finding a different aspect to a character, refocusing them in
